Ed Sheeran ‘Divide’ Tour – Melbourne: One Man, No Problems


4 and a ½ stars

 

A shabby, red-headed man. Eyesight as poor as can be, a cheery smile of that high school geek beaming across massive screens headlining one end of Etihad Stadium. And on stage stands the casual bloke, figurine-sized in comparison to the 60,000 plus he performs to. Just a basic acoustic guitar, and some fancy machinery around his feet that he controls with some type of dance throughout the night. It doesn’t sound conducive to a record-breaking Australian stadium tour, does it? Yet this humble singer-songwriter from Suffolk is set to prove just why he is music’s brightest light.


Missy Higgins warming up the crowd
 

Following the contrasting hype of Bliss ‘N Eso and the melodious flow of local Missy Higgins, the lights dimmed and the heaving warmth of the indoor venue was broken open by Ed himself.

From then on it was a journey – the thudding beat and passionate vocals of ‘Castle On the Hill’ whipped the crowd into a frenzy, as their echo displayed the sheer popularity of Sheeran’s U2 and Snow Patrol reminiscence.  

 


With the sweating crowd fully concentrated on him, Sheeran then fell into a pattern; a faster, heavily looped tune that elicited dancing, energetic sing-alongs and “wows”, shortly followed by a simmering slower song that showcased the volume of the eager people in attendance. It was an equilibrium – if second song ‘Eraser’ epitomised the variety of talent at Sheeran’s disposal (a catchy guitar riff covered in RnB and dripping with rap), then ‘A Team’ incited swaying, a beautiful phone light display and a soft moment that appeared to crack even the hardest of hearts.

 


This wove its way through the night, with the highlights being due to either the severely breathtaking use of the loop station or the stripped back beauty of Sheeran, his voice and his guitar. The former included the crescendo of ‘Bloodstream’, and the similar conclusion that was used to build up the climax of ‘Photograph’, while the latter included gentle symphonies in ‘Perfect’ and ‘Thinking Out Loud’, as well as the underrated ‘Tenerife Sea’ (the next night Sheeran was apt enough to croon through ‘Supermarket Flowers’).
The set-up, pre-Sheeran

 

But the layer that surpassed Sheeran’s previous ‘X’ tour in 2015 was the instalment of songs off his record-breaking 2017 album ‘Divide’. And the crux of this was the pair of Irish-inspired mixtures that sent the crowd into jigs and reels all over the Etihad turf. With the bright effects and sharply intense euphoria of ‘Galway Girl’, a couple of songs later the rhythmic ballad ‘Nancy Mulligan’ once more brought out the Gaelic side that stirs inside everyone. Combine this with an unexpected yet perfectly placed cover of ‘Feeling Good’ that morphed into the uber-cool ‘I See Fire’, and you could suddenly start to see why the crowd was varied in age and gender. This is why Sheeran had shattered records; his generic appearance had evolved into a canon that appealed to the soft and fun side in every person. Not just the One Direction type of fan girls, but also the ‘super dads’ that could easily have been seen at an ACDC concert. It was fascinating.

 


Enthralling the crowd during 'Galway Girl'
By the time Sheeran had sent the crowd into raptures of joy, his energy-filled rendition of ‘X’ hit ‘Sing’ resulted in only more singing, like everyone there had found deep and impossible reserves of energy just for this one-man band. Yet his encore of ‘Shape of You’ only inspired more dancing, more adults jumping up in the seating aisles to match the groovy dancing of the standing area people. When the night was concluded with the winding original hit of ‘You Need Me I Don’t Need You’, the worth of each individual inside the Etihad sauna had skyrocketed due to the strength, joy and power that was spread over the masses.

 

He had done it – the goal to have everyone “drenched in sweat” and horse-voiced proved successful, yet no one minded. For just two hours we had all been lost in time, lost in the talent of a man who is shrewdly clever yet perhaps too humble to realise his effect on people. And what more could you want from a concert?

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